Whatever previously happened here, whatever event unfolded, whoever or whatever were the primary players in the definitive act, we, the viewers will never be party to; as we solely observe the direct aftermath in critically acclaimed contemporary figurative and landscape artist, Edwards’ most recent release.

‘Under the Bridge’ is a typically haunting and ever-so-slightly eerie illustrative encounter, with a 1930s detective feel and visual look to it, as if filmed on grainy celluloid and to be used in evidence.