Something has grabbed his attentions, that’s for sure, as ‘The Writer’ cranes his neck, arches his back and leans backwards as much as the curvature of his spine will allow to fully digest that what he’s implicitly staring out upon.

The viewer of course is not privy to Edwards’ illustrative focal point, which – upholding recent tradition – remains resolutely out of sight, yet never out of our minds, in this, the contemporary figurative artist’s latest material adventure.