“Here’s looking at you, kid!” Drunk on love, as opposed to the amber nectar (and certainly not sharing this cinematic moment between two people in monochrome), ‘Oliver’ won’t be drawing any ‘blanca’s’ with contemporary animal humour art-loving fans of Caroline Shotton’s familiar illustrative territory this Spring 2017. On the compositional contrary, as we’re bracing ourselves for a stampede of interest in the hugely popular fine art exponent’s brand new giclee on boxed canvas pictorial offering now that this hand-signed limited edition study finds itself thrust into the public domain; and essentially fair game among hardcore Shotton fans, seasoned collectors of her work, art critics and indeed, new aficionados in the making. With this very much in mind, be sure to convey your intentions ASAP to rule out soul-crushing disappointment….